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Remembering the massacre at Peterloo

Today, 16 August, is the 200th anniversary of the Peterloo massacre, when the forces of law and order murdered and maimed peaceful demonstrators asking for representation in parliament. Here is a recent article on what happened and why:

The Bloody Clash that changed Britain

https://www.theguardian.com/news/2018/jan/04/peterloo-massacre-bloody-clash-that-changed-britain?CMP=Share_iOSApp_Other

You can also buy Mike Leigh’s film, Peterloo, on DVD.

And here is the poem Shelley wrote in fury after hearing of the massacre:

The Masque of Anarchy

1
As I lay asleep in Italy
There came a voice from over the Sea,
And with great power it forth led me
To walk in the visions of Poesy.

		2
I met Murder on the way--
He had a mask like Castlereagh--
Very smooth he looked, yet grim;
Seven blood-hounds followed him:

		3
All were fat; and well they might
Be in admirable plight,				10
For one by one, and two by two,
He tossed them human hearts to chew

		4
Which from his wide cloak he drew.
Next came Fraud, and he had on,
Like Eldon, an ermined gown;
His big tears, for he wept well,
Turned to mill-stones as they fell.

		5
And the little children, who
Round his feet played to and fro,
Thinking every tear a gem,			20
Had their brains knocked out by them.

		6
Clothed with the Bible, as with light,
And the shadows of the night,
Like Sidmouth, next, Hypocrisy
On a crocodile rode by.

		7
And many more Destructions played
In this ghastly masquerade,
All disguised, even to the eyes,
Like Bishops, lawyers, peers, or spies.

		8
Last came Anarchy: he rode			30
On a white horse, splashed with blood;
He was pale even to the lips,
Like Death in the Apocalypse.

		9
And he wore a kingly crown;
And in his grasp a sceptre shone;
On his brow this mark I saw--
'I AM GOD, AND KING, AND LAW!'

		10
With a pace stately and fast,
Over English land he passed,
Trampling to a mire of blood			40
The adoring multitude.

		11
And a mighty troop around,
With their trampling shook the ground,
Waving each a bloody sword,
For the service of their Lord.

		12
And with glorious triumph, they
Rode through England proud and gay,
Drunk as with intoxication
Of the wine of desolation.

		13
O'er fields and towns, from sea to sea,		50
Passed the Pageant swift and free,
Tearing up, and trampling down;
Till they came to London town.

		14
And each dweller, panic-stricken,
Felt his heart with terror sicken
Hearing the tempestuous cry
Of the triumph of Anarchy.

		15
For with pomp to meet him came,
Clothed in arms like blood and flame,
The hired murderers, who did sing		60
`Thou art God, and Law, and King.

		16
We have waited, weak and lone
For thy coming, Mighty One!
Our purses are empty, our swords are cold,
Give us glory, and blood, and gold.'

		17
Lawyers and priests, a motley crowd,
To the earth their pale brows bowed;
Like a bad prayer not over loud,
Whispering -- `Thou art Law and God.' --

		18
Then all cried with one accord,			70
`Thou art King, and God, and Lord;
Anarchy, to thee we bow,
Be thy name made holy now!'

		19
And Anarchy, the Skeleton,
Bowed and grinned to every one,
As well as if his education
Had cost ten millions to the nation.

		20
For he knew the Palaces
Of our Kings were rightly his;
His the sceptre, crown, and globe,		80
And the gold-inwoven robe.

		21
So he sent his slaves before
To seize upon the Bank and Tower,
And was proceeding with intent
To meet his pensioned Parliament

		22
When one fled past, a maniac maid,
And her name was Hope, she said:
But she looked more like Despair,
And she cried out in the air:

		23
`My father Time is weak and gray		90
With waiting for a better day;
See how idiot-like he stands,
Fumbling with his palsied hands!

		24
`He has had child after child,
And the dust of death is piled
Over every one but me--
Misery, oh, Misery!'

		25
Then she lay down in the street,
Right before the horses' feet,
Expecting, with a patient eye,			100
Murder, Fraud, and Anarchy.

		26
When between her and her foes
A mist, a light, an image rose,
Small at first, and weak, and frail
Like the vapour of a vale:

		27
Till as clouds grow on the blast,
Like tower-crowned giants striding fast,
And glare with lightnings as they fly,
And speak in thunder to the sky,

		28
It grew -- a Shape arrayed in mail		110
Brighter than the viper's scale,
And upborne on wings whose grain
Was as the light of sunny rain.

		29
On its helm, seen far away,
A planet, like the Morning's, lay;
And those plumes its light rained through
Like a shower of crimson dew.

		30
With step as soft as wind it passed
O'er the heads of men -- so fast
That they knew the presence there,		120
And looked, -- but all was empty air.

		31
As flowers beneath May's footstep waken,
As stars from Night's loose hair are shaken,
As waves arise when loud winds call,
Thoughts sprung where'er that step did fall.

		32
And the prostrate multitude
Looked -- and ankle-deep in blood,
Hope, that maiden most serene,
Was walking with a quiet mien:

		33
And Anarchy, the ghastly birth,			130
Lay dead earth upon the earth;
The Horse of Death tameless as wind
Fled, and with his hoofs did grind
To dust the murderers thronged behind.

		34
A rushing light of clouds and splendour,
A sense awakening and yet tender
Was heard and felt -- and at its close
These words of joy and fear arose

		35
As if their own indignant Earth
Which gave the sons of England birth		140
Had felt their blood upon her brow,
And shuddering with a mother's throe

		36
Had turnèd every drop of blood
By which her face had been bedewed
To an accent unwithstood,--
As if her heart had cried aloud:

		37
`Men of England, heirs of Glory,
Heroes of unwritten story,
Nurslings of one mighty Mother,
Hopes of her, and one another;			150

		38
`Rise like Lions after slumber
In unvanquishable number,
Shake your chains to earth like dew
Which in sleep had fallen on you --
Ye are many -- they are few.

		39
`What is Freedom? -- ye can tell
That which slavery is, too well --
For its very name has grown
To an echo of your own.<

		40
`'Tis to work and have such pay			160
As just keeps life from day to day
In your limbs, as in a cell
For the tyrants' use to dwell,

		41
`So that ye for them are made
Loom, and plough, and sword, and spade,
With or without your own will bent
To their defence and nourishment.

		42
`'Tis to see your children weak
With their mothers pine and peak,
When the winter winds are bleak,--		170
They are dying whilst I speak.

		43
`'Tis to hunger for such diet
As the rich man in his riot
Casts to the fat dogs that lie
Surfeiting beneath his eye;

		44
`'Tis to let the Ghost of Gold
Take from Toil a thousandfold
More than e'er its substance could
In the tyrannies of old.

		45
`Paper coin -- that forgery			180
Of the title-deeds, which ye
Hold to something of the worth
Of the inheritance of Earth.

		46
`'Tis to be a slave in soul
And to hold no strong control
Over your own wills, but be
All that others make of ye.

		47
`And at length when ye complain
With a murmur weak and vain
'Tis to see the Tyrant's crew			190
Ride over your wives and you--
Blood is on the grass like dew.

		48
`Then it is to feel revenge
Fiercely thirsting to exchange
Blood for blood -- and wrong for wrong --
Do not thus when ye are strong.

		49
`Birds find rest, in narrow nest
When weary of their wingèd quest;
Beasts find fare, in woody lair
When storm and snow are in the air,1		200

		50
`Asses, swine, have litter spread
And with fitting food are fed;
All things have a home but one--
Thou, Oh, Englishman, hast none!

		51
`This is Slavery -- savage men,
Or wild beasts within a den
Would endure not as ye do--
But such ills they never knew.

		52
`What art thou Freedom? O! could slaves
Answer from their living graves			210
This demand -- tyrants would flee
Like a dream's dim imagery:

		53
`Thou art not, as impostors say,
A shadow soon to pass away,
A superstition, and a name
Echoing from the cave of Fame.

		54
`For the labourer thou art bread,
And a comely table spread
From his daily labour come
In a neat and happy home.			220

		55
`Thou art clothes, and fire, and food
For the trampled multitude--
No -- in countries that are free
Such starvation cannot be
As in England now we see.

		56
`To the rich thou art a check,
When his foot is on the neck
Of his victim, thou dost make
That he treads upon a snake.

		57
`Thou art Justice -- ne'er for gold		230
May thy righteous laws be sold
As laws are in England -- thou
Shield'st alike the high and low.

		58
`Thou art Wisdom -- Freemen never
Dream that God will damn for ever
All who think those things untrue
Of which Priests make such ado.

		59
`Thou art Peace -- never by thee
Would blood and treasure wasted be
As tyrants wasted them, when all		240
Leagued to quench thy flame in Gaul.

		60
`What if English toil and blood
Was poured forth, even as a flood?
It availed, Oh, Liberty,
To dim, but not extinguish thee.

		61
`Thou art Love -- the rich have kissed
Thy feet, and like him following Christ,
Give their substance to the free
And through the rough world follow thee,

		62
`Or turn their wealth to arms, and make		250
War for thy belovèd sake
On wealth, and war, and fraud--whence they
 Drew the power which is their prey.

		63
`Science, Poetry, and Thought
Are thy lamps; they make the lot
Of the dwellers in a cot
So serene, they curse it not.

		64
`Spirit, Patience, Gentleness,
All that can adorn and bless
Art thou -- let deeds, not words, express	260
Thine exceeding loveliness.

		65
`Let a great Assembly be
Of the fearless and the free
On some spot of English ground
Where the plains stretch wide around.

		66
`Let the blue sky overhead,
The green earth on which ye tread,
All that must eternal be
Witness the solemnity.

		67
`From the corners uttermost			270
Of the bonds of English coast;
From every hut, village, and town
Where those who live and suffer moan
For others' misery or their own.2 

		68
`From the workhouse and the prison
Where pale as corpses newly risen,
Women, children, young and old
Groan for pain, and weep for cold--

		69
`From the haunts of daily life
Where is waged the daily strife			280
With common wants and common cares
Which sows the human heart with tares--

		70
`Lastly from the palaces
Where the murmur of distress
Echoes, like the distant sound
Of a wind alive around

		71
`Those prison halls of wealth and fashion,
Where some few feel such compassion
For those who groan, and toil, and wail
As must make their brethren pale--		290

		72
`Ye who suffer woes untold,
Or to feel, or to behold
Your lost country bought and sold
With a price of blood and gold--

		73
`Let a vast assembly be,
And with great solemnity
Declare with measured words that ye
Are, as God has made ye, free--

		74
`Be your strong and simple words
Keen to wound as sharpened swords,		300
And wide as targes let them be,
With their shade to cover ye.

		75
`Let the tyrants pour around
With a quick and startling sound,
Like the loosening of a sea,
Troops of armed emblazonry.

		76
`Let the charged artillery drive
Till the dead air seems alive
With the clash of clanging wheels,
And the tramp of horses' heels.			310


		77
`Let the fixèd bayonet
Gleam with sharp desire to wet
Its bright point in English blood
Looking keen as one for food.

		78
`Let the horsemen's scimitars
Wheel and flash, like sphereless stars
Thirsting to eclipse their burning
In a sea of death and mourning.

		79
`Stand ye calm and resolute,
Like a forest close and mute,			320
With folded arms and looks which are
Weapons of unvanquished war,

		80
`And let Panic, who outspeeds
The career of armèd steeds
Pass, a disregarded shade
Through your phalanx undismayed.

		81
`Let the laws of your own land,
Good or ill, between ye stand
Hand to hand, and foot to foot,
Arbiters of the dispute,			330

		82
`The old laws of England -- they
Whose reverend heads with age are gray,
Children of a wiser day;
And whose solemn voice must be
Thine own echo -- Liberty!

		83
`On those who first should violate
Such sacred heralds in their state
Rest the blood that must ensue,
And it will not rest on you.

		84
`And if then the tyrants dare			340
Let them ride among you there,
Slash, and stab, and maim, and hew,--
What they like, that let them do.


		85
`With folded arms and steady eyes,
And little fear, and less surprise,
Look upon them as they slay
Till their rage has died away.

		86
`Then they will return with shame
To the place from which they came,
And the blood thus shed will speak		350
In hot blushes on their cheek.

		87
 `Every woman in the land
Will point at them as they stand--
They will hardly dare to greet
Their acquaintance in the street.

		88
`And the bold, true warriors
Who have hugged Danger in wars
Will turn to those who would be free,
Ashamed of such base company.

		89
`And that slaughter to the Nation		360
Shall steam up like inspiration,
Eloquent, oracular;
A volcano heard afar.

		90
`And these words shall then become
Like Oppression's thundered doom
Ringing through each heart and brain,
Heard again -- again -- again--

		91
`Rise like Lions after slumber
In unvanquishable number--
Shake your chains to earth like dew		370
Which in sleep had fallen on you--
Ye are many -- they are few.'

Brexit food crisis – a socialist approach

kevovenden's avatarKevin Ovenden's Blog

abundance agriculture bananas batch If Britain’s capitalist food industry says it cannot guarantee supply in a disorderly Brexit, then shouldn’t socialists put a radical and effective policy forward that can?

The Guardian reports:

“Britain’s food and drinks industry has said companies may have to choose between working together to avert food shortages or paying large fines unless the government steps in to suspend competition law in the event of a no-deal Brexit.

“Collaboration between large companies is controlled to prevent cartels harming consumers. The Food and Drink Federation (FDF) told the BBC that the government had not yet confirmed that companies would be able to work together to direct food supplies if there were delays as a result of crashing out of the EU.”

Isn’t that enormously revealing?

First, it is recognition that market competition is anything but free. It is regulated in all sorts of ways. Some of that is due to accumulated…

View original post 445 more words

Dangers past, present and future

Nothing new in this story (see link below). They have always spied on and infiltrated the left. Many people will know of the murder of the teacher Blair Peach by a Special Patrol Group officer way back in 1979. I went to Blair Peach’s funeral together with a great crowd who marched to hear speeches and eulogies with the theme “Don’t mourn – mobilise”. (By the way, I thought we should do both.)
The police certainly mobilised. Two young men in front of me marched as mournfully as everybody else, with long hair and dressed in jeans and leather jackets. At a bend in the road, they suddenly slanted off to join their uniformed colleagues (slightly inept, this – blow your own cover, why don’t you?!). Nobody pointed and jeered, which we should have done. But we had a funeral to get on with, which we did.
We should, I suppose, be pleased that this time the police have been forced to pay compensation to the protesters they humiliated. But we should also understand that a Boris Johnson government would have none of that nonsense: there’d be free rein given to the successors of the SPG, the Territorial Support Group, to do as they see fit and the government would ensure that any judge assessing complaints was carefully picked. If you don’t think that could happen, let me point out that, even in the case of Blair Peach, the coroner (in the face of overwhelming evidence to the contrary) steered the jury to a verdict of death by misadventure. Carefully picked? You bet.

https://www.theguardian.com/uk-news/2019/jun/26/met-police-in-700k-payout-to-detained-anti-fascist-protesters?CMP=Share_iOSApp_Other&fbclid=IwAR04FkmmwyISUZWAia3RkZeqURd3VNqKn-WYrjKWS_jlOTMsc26NTIFsxmw

A Most Peculiar English lesson

I was teaching an English class of mine in Paris the difference between the present perfect tense and the past tense (stay with me!). One difference is that you can mention a specific time when you use the past tense but it’s often not possible when you use the present perfect. I gave as an example a line from a Simon & Garfunkel song, A Most Peculiar Man. The line was: “He died last Saturday” – the point being that you wouldn’t say, “He has died last Saturday”. This is especially puzzling to French speakers because in French the tense used for the ordinary past looks like the English present perfect. At the end of the lesson, one of the class came up to me to say that he wouldn’t be able to come to the following week’s lesson because he had to go to his aunt’s funeral. I expressed my condolences. “Thank you”, he said. “You see, she died last Saturday.”

L’Aquarium – Renaud

 

I have added my English translation of this song at the end, plus a couple of explanatory footnotes:

 

 

 

 

Énervé par la colère
Un beau soir, après la guerre
J’ai balancé ma télé par la fenêtre
Comme je suis un garçon primaire
Je me suis dit “un militaire
Avec un peu de bol
Se la mange en pleine tête”

Libérés, enfin, mes yeux
Ont regardé le scaphandrier de l’aquarium
Qui cherche un trésor planqué
Sous les cailloux bariolés
Pauvre bonhomme

Énervé par France Intox
Les FM, et les juke-box
J’ai balancé ma radio par la fenêtre
En priant pour qu’elle tombe pas
Sur la tronche du môme, en bas
Petit joueur d’accordéon à casquette

Libérées, mes deux oreilles
Ont écouté le poisson rouge de l’aquarium
Qui était content d’être tout seul
Qui faisait juste un peu la gueule
Ou tout comme

Énervé par un Bon Dieu
Que je trouvais bien trop dangereux
J’ai balancé ma vieille Bible par la fenêtre
Comme je suis un garçon normal
Je me suis dit: “un cardinal
Avec un peu de bol
Se la mange en pleine tête”

Libéré, enfin, mon âme
Est allée se nicher au fond de l’aquarium
Dans une eau limpide et claire
Loin des centrales nucléaires
Loin des hommes

Énervé par ces gauchos
Devenus des patrons bien gros
J’ai balancé mon journal par la fenêtre
Comme je suis un garçon réglo
J’ai visé le caniveau
Sur d’y retrouvé le rédacteur en chef

Libérée, enfin, ma tête
A rejoint le scaphandrier de l’aquarium
Qui cherche un trésor planqué
Sous les cailloux bariolés
Pauvre bonhomme

Je suis un peu le scaphandrier
De l’aquarium, sur la cheminée
Je suis un peu le poisson rouge
Et c’est chouette
Je cherche un trésor planqué
L’amour et la liberté
Sous les cailloux bariolés
De la planète

Libérez, enfin, ma terre
Des curés, des journaleux, des militaires
De tous les preneurs de tête
Qui provoquent, sous ma fenêtre
Ma colère

***

Angry and on edge

One fine evening after the war[1]

I threw my TV out of the window,

And, as I am just a simple boy,

I said to myself, “A soldier

(with a bit of luck)

Will get it right on the head!”

 

Liberated at last, my eyes

Looked at the diver in the aquarium

Who is looking for hidden treasure

Under the multi-coloured pebbles,

Poor fellow.

 

Irritated by France Intox,[2]

FM and the juke box,

I threw my radio out of the window,

Just praying that it wouldn’t fall

On the head of the little kid in a baseball cap

Playing his accordeon down below

 

Liberated, my two ears

Now heard the goldfish in the aquarium,

Who was content to be alone,

Who simply makes a sulky face,

Or something

 

Irritated by a Good God

Who I find much too dangerous,

I throw my old Bible out of the window,

And as I am a normal fellow

I say to myself, “A cardinal

(with a bit of luck)

Will get it full on the head

 

Free at last, my soul

Went to nestle

At the bottom of the aquarium,

In the clear, limpid water,

Far from nuclear reactors,

Far from people

 

Irritated by those lefties

Who have now become fat bosses,

I threw my newspaper out of the window,

And aim it at the gutter,

Sure that it will find

The editor-in-chief

 

Liberated at last, my head

Has caught up with the diver in the aquarium,

Who is looking for hidden treasure

Under the multi-coloured pebbles,

Poor fellow.

 

I’m a bit like the diver

In the aquarium on the mantelpiece,

I’m a bit like the goldfish,

And it’s great,

I’m looking for hidden treasure,

Love and liberty,

Under the multicoloured pebbles

Of the planet

 

Liberated at last, my earth,

From priests, journalists and armies,

From all those people who do your head in,

Who, under my window,

Provoke my anger.

 

 

[1] Probably the first Gulf war.

[2] Wordplay on the radio station France-Inter.

Tonton

The picture (below) seems to be of Mitterrand at some point using an apparently compliant Renaud, probably for electoral purposes. Mitterrand was elected President of France in 1981 on a programme of reforms and a commitment to anti-racism. But a combination of galloping inflation, a balance-of-payments crisis and a budget deficit led to a retreat from promises to “change the life” of France. The government retreated, too, on its anti-racism policies and its commitment to the integration of immigrants, continuing the hard line on immigration controls and deportations of the previous government of the right under Giscard D’Estaing. As early as October 1981, a new law made the conditions for entry into the country even more restrictive than under Giscard. Mitterrand was capitulating to the right. By 1984, the right to family reunification became virtually meaningless. Jean-Marie Le Pen’s fascist Front National argued that the mainstream politicians of both left and right agreed with its arguments but were afraid to adopt its solutions. Whether it was the housing crisis, unemployment, rising crime, the undermining of French national identity, or AIDS, immigrants, they said, were responsible and should be repatriated. Not surprisingly, the Renaud-Mitterrand show didn’t last long. Later, in this song, Renaud depicted an old and failing Mitterrand having his final nightmare:

Tonton (Mitterrand) is angry

Everything’s turned upside down,

History, glory, it’s all falling apart

Because, this evening, the old man

(it’s hard)

Has a stone in his shoe,

A cold that hangs on,

And then, last night, oh misery,

He dreamt that one day

The left would come back

 

 

Bonhomme qui va austère
Au milieu des landes, des bruyères
Silhouette insolites
Bloc de granit
Tonton foule la terre
Lentement
Comme le temps

Le temps qui, pourtant, emporte
Les idées, les hommes et les amours mortes
Le temps qui lui reste
Dans la même veste
Avant de n’être plus
Qu’une statue
Un nom de rue

Il a son beau chapeau
Il a son long manteau
Il a son chien, le brave
Le gros qui bave
Il a le regard des sages
Il est la force tranquille, sereine
Il est comme un grand chêne
Il sait la futilité
De toute chose
La douceur et
La fragilité des roses

Bonhomme qui va austère
Au milieu des landes, des bruyères
Silhouette insolite
Bloc de granit
Tonton foule la terre
En sifflotant
Comme le vent

Le vent qui, pourtant, emporte
Son joli chapeau que le chien rapporte
Il est plein de bave
Ce n’est pas bien grave
Un chapeau ça se lave
Mais ça fait sale
Et tonton râle

Tonton est colère
Tout va de travers
L’Histoire, la gloire, tout foire
Parce-que ce soir
Le vieille homme a, c’est dur
Un caillou dans sa chaussure
Un vieux rhume qui dure
Et puis cette nuit, misère
Il a rêvé
Qu’un beau jour
La gauche revenait

Tonton s’en va
A petits pas

 

Thiéfaine: Critique du Chapitre 3 (du livre de l’Écclésiaste)

Critique du Chapitre 3 (du livre de l’Écclésiaste)

« … un temps pour aimer et un temps pour haïr ; un temps de guerre et un temps de paix … »

& les roses de l’été
sont souvent aussi noires
que les charmes exhalés
dans nos trous de mémoire
les vaccins de la vie
sur les bleus de nos cœurs
ont la mélancolie
des sols bémols mineurs
pour un temps d’amour
tant de haine en retour

quelques froides statues
aux pieds des sycomores
rappellent un jamais plus
avec le nom des morts
un oiseau de chagrin
dans le ciel assombri
chante un nouveau matin
sur des ruines en bosnie
pour un temps d’amour
tant de haine en retour

je visionne les miroirs
de ces vies déchirées
maintenant que le soir
ne cesse de tomber
& ma colère qui monte
& ma haine accrochée
au-dessus de ces tombes
où je n’ose pas cracher
pour un temps d’amour
tant de haine en retour

d’autres salauds cosmiques
s’enivrent à bételgeuse
dans les chants magnétiques
des putains nébuleuses
l’humain peut disparaître
& son monde avec lui
qu’est-ce que la planète terre
dans l’œil d’un rat maudit
pour un temps d’amour
tant de haine en retour

Hubert-Félix Thiéfaine

 

Hubert-Félix Thiéfaine: La Nostalgie de Dieu

Hubert-Félix Thiéfaine was another singer I listened to in France, largely at the instigation of one of my students, Raphaël, who told me, “Nobody understands the words of Thiéfaine – I think you’ll like him”!

Here he is with a particular take on the idea of God:

 

 

en ce quinzième dimanche après carnaval
je me souviens d’avoir lu quelque part dans le journal
à moins que ce ne soit dans la bible des gidéons
volée dans un de ces motels à la mords-moi l’mormond
je me souviens d’avoir lu que le démiurge au chômage
un jour d’ennui avait fabriqué l’homme à son image
lucy n’était pas encore née quant à l’abel du tchad
il n’avait pas encore testé l’usage de ses gonades

 

le démiurge au chômage
fit l’homme à son image
c’est une histoire d’amour
d’amour / d’amour toujours
dieu est amour
& jésus change le beurre en vaseline… dieu est in

 

cette histoire s’est passée très loin des oxydes de carbone
environ 3 millions d’années avant michael jackson
on peut donc affirmer sans offenser son archevêque
que dieu a la gueule & l’aspect d’un australopithèque

 

dieu est un drôle de mec
un australopithèque
oui mais on l’aime quand même
dieu est amour toujours
dieu est amour
& jésus change le beurre en vaseline… dieu est in

 

dieu est amour – deus ex machina
dieu est amour – deus ex testa rossa
dieu est amour – deus ex lamborghini
dieu est amour – deus ex maserati
dieu est amour – deus ex aston martin
dieu est amour – deus ex machine
dieu est amour – deus sex machine
dieu est amour – god is sex machine
god gode ! god gode !

 

Les Mots – Renaud Séchan

Renaud is a French singer and activist who’s songs inspired me in the early 1990s when I worked in Paris as an English teacher and a union rep. His songs were often, though not always, political. He wrote and campaigned against racism and told the stories of its victims in many of his songs. His political sympathies were, I think, with anarchism.  He often grew tired and despondent, and disappeared from public view a couple of times in later years, but always came back. This is a song from a 2016 album. This one isn’t political. It is, though, about how words, whether read, or listened to, or words you write yourself, can revive your spirits and bring you back from despondency.

Round and round we go

I suppose we should yawn at this “revelation” about Esther McVey’s expenses claims really (see link below). Of course she did this. Because she can. And that leads to a mildly interesting question (God, I’ve started yawning already): as this stuff is supposed to be scrutinised carefully, not to say regulated, what excuse did the regulators use to let these claims through? The Independent Parliamentary Standards Authority (Ipsa), for it is they, said: “Communication is a large part of an MP’s role and they are able to claim professional services to support them carrying out their duties. This could include photography to be used on their website and other digital and print communication channels.” Perhaps they’re not so much regulators as turnstile operators. There’s a kind of turnstile as visitors leave the parliamentary “estate”. I went through it last week. You just push and round it goes. “On you go, Esther, see you next week.”

https://www.theguardian.com/politics/2019/jun/12/esther-mcvey-expensed-thousands-of-pounds-for-personal-photographer